Interview with Ugo Matulic, collector of Norval Morrisseau's art (Norval Morrisseau Blog Master)

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© The Saatchi Gallery : London Contemporary Art Gallery

>>> Originally posted on November 8th, 2009 at 'Art+Culture' Blog and on the NORVAL MORRISSEAU BLOG on March 1st, 2010 (click HERE)

















"Water Demigod", © 1983 Norval Morrisseau
/Click on image to Enlarge/


>>> Ever wonder what goes through the mind of you average art collector? Well, even though Ugo Matulic is much more than an average collector, one might say he's a little obsessive, I have found his insight and ideas on art,the creation of art and the relationship between collector and artists very interesting. He is a dedicated educator and defender of the art of Norval Morrisseau and he has gone to many great lengths to preserve the legacy of the artist. So here's an interview with Ugo Matulic to help give us artists an idea of what goes on in a collectors head.

RR: When was the first time you recall seeing Norval Morrisseau’s work and why do you believe it affected you so greatly you started collecting it?

UM: In Sept of 1999 there was an exhibition under the title of “Powerful Images” at the Glenbow Museum in Calgary, where among other things dedicated to different artists and they had a major exhibition of Norval Morrisseau's works. A selection of Norval Morrisseau’s artworks from the Glenbow Museum archives was presented. They have ninety six originals in their collection and I was impressed with the imagery and I left under the impression and thought that hopefully I would be able to afford one Norval Morrisseau.

RR: Why do you think you chose to start collecting Norval Morrisseau’s work? What do you think it is in his imagery?

UM: I found it extremely powerful, it just grows on you. The imagery is …, the first impression is overwhelming and what you notice is the more you are exposed to it the more it starts growing on you. You experience it at many different levels of intensity depending on your on mood. It was amazing the way he was able to combine the colors and the powerful images. They had an effect on me.

RR: Did you have an interest in art before you started collecting Norval Morrisseau’s work?

UM: Oh definitely, all my life. Speaking about this particular style of art though, North American Native, Aboriginal, Indian art, the first native piece of art I purchased was by Isaac Bignell, a Cree Indian from Manitoba. He used a different style, a style that was more influenced by Benjamin Chee Chee than Norval Morrisseau, it was very simplistic, a minimalist style with powerful images of birds and animals and bison and stuff. It was very powerful; it affected me to start collecting the art. I was pretty much collecting Isaac Bignell’s until a dealer from Winnipeg , by the name of Anthony Martinenko offered me a Norval Morrisseau painting, which I was familiar with thanks to the Glenbow show. I bought one of them (click HERE) and that was the beginning of me collecting Norval Morrisseau’s art exclusively.

RR: How many years have you been studying Norval’s work?

UM: Now it has been a full ten years. I have been dedicated to this particular cause, to this particular artist for the last ten years. I have had the chance to acquire some other artists work at a good price, but then I had great contacts to acquire great Morrisseau’s for reasonable prices. I had studied a lot, studying book about Ojibway people, my most important two books where “The Art of Norval Morrisseau” that was co-written by Lister Sinclair and Jack Pollock (who was his first dealer in 1962) and “The Legends of My People: The Great Ojibway” that Norval Morrisseau wrote about the legends of his people. I was able to learn a lot about the legends of the Ojibway at the same time acquiring many paintings that are directly connect with the explanation of certain legends. It was quite a thrill when I was able to study the art, the history of his people, and legends while at same time acquire art which nicely blended together.

RR: How can an average person start an exquisite art collection?

UM: An average person can start a collection easily. Thanks to the power of the internet you can do research on an artist of interest and you can then try to find it on E-bay or at different venues, visiting different galleries, and galleries in other cities. Thanks to the power of internet there are lots of opportunities to acquire artworks, through different galleries' websites and at the same time if you are lucky enough like myself to acquire them from good contacts with direct sources, you can acquire pieces of art at a much more reasonable price than buying them directly through the galleries. I have acquired only limited number of paintings from galleries, maybe fifteen or twenty paintings.

RR: What is a current project you are working on?

UM: The current and major project is the Norval Morrisseau Blog that I am the blog master of, which involves different issues particularly major issues in trying to defend every piece that in my opinion deserves to be acknowledged. There is lots of controversy, slash conspiracy that actually involves a number of individuals and galleries who have tried to control the market by putting down a large body of the artist’s work, which is not acceptable, which is not acceptable because I respect the artist very much and can’t stand by watching that happening. I realise I do not want to talk too much about paintings that are authentic or not authentic, I just try to provide enough proof, enough information to seasoned and novice collectors for them to feel comfortable about what they are acquiring that it is authentic. It’s quite a challenge considering that not many people are assisting in the task. Even many people who possess valuable information that can assist to put this situation in order. Right now, things are damaged, the Norval Morrisseau art market is damaged, but I believe his legacy can never be destroyed because he is way too important for Canada and the world.

RR: Norval once said “I do not wish my work to exploited, but properly used as an art form in it’s proper place where for the generations of great Ojibwa people it can be seen in it’s proper place….” What do you have to say to people who you believe are exploiting his legacy?

UM: I believe that Norval Morrisseau’s art is full of positive energy and all the negative elements will be washed away sooner or later. I think their actions are definitely not serving; they might temporarily work towards drawing people. Drawing collectors to buy from them, but once everything is exposed…, I think this is not honourable to put down a large body of the artist’s work for somebody else's financial gain. After all the market is so damaged that many people have taken advantage of the situation by acquiring pieces. I would say if you want to, say buy a piece on the internet, its Ahh I don’t know it’s….. What they are trying to achieve is definitely damaging, it will actually damage their reputation as someone who supposedly cared about the artist work. It’s a shame what is going on about the authenticity of Norval Morrisseau’s art. I believe he is extremely important to Canada and he is an important painter because if he wasn’t none of this stuff would be happening.

RR: What is something you enjoy about having studied an artist so intently?
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UM: The Power of his art is just amazing. I mean I have been collecting for a decade; I’ve spent the last decade of my life dedicated to collect and to study his art. He constantly surprised me with power of his expressions and ability to deliver his art and the way he executes his art. Many artists develop a certain style. I mean you see some painting and you know right away, this is a painting by such and such artist. I have probably one of the most comprehensive collections of Norval Morrisseau that spans from the beginning of his career from 1957 all the way to 2002. Basically there have been so many different styles. When people say that Norval Morrisseau did not paint in a certain style in the 1970’s or 80’s or 90’s it’s not really a right statement because he was a genius able to experiment in so many different ways. His power of constantly changing and growing and breaking his own convention and executing his painting styles in so many different ways. I mean he created a visual vocabulary that never existed before; he was able to evolve constantly. His inspiration was such that he never had an artistic block. He was inspired to paint all the time and he never asked anybody, what do you think about this painting, what do you think about that one. He was a man on a mission to paint and preserve his cultural heritage. He was a great Canadian painter a national treasure and it is unfortunate that people of power are not doing something to protect his legacy.

RR: What is do you believe your role as a major collector is in Norval Morrisseau’s legacy?

UM: Well I am proud, and feel a great honour to be working on the blog. Trying to do something to put things in order, which unfortunately the way it works, I can’t achieve much it seems without some court case proceedings. Some court case proceedings need to give a blessing about what's authentic and what’s not. I am happy and glad to share my love and passion for his art. I hope it will inspire the others to try to solve these issues so that people can finally start enjoying the art without thinking about whether it's authentic or not. I feel I am just a messenger. Somebody had to be a messenger and somebody had to be there to express certain concerns, and I believe that I have provided a great forum where people can go and gain some education about different thing about Norval Morrisseau’s art. I have received e-mails from many people thanking me for being able to give them enough information that they can believe whether what they have is authentic or not.

RR: Why is art a good way to invest money?

UM: First of all, the beauty of art is that you buy it because you like it, you love it. The power of art is such, that good art can make you feel good, if you find something inspiring in a particular piece of art. Now I don’t consider myself an ordinary collector because not many collectors will all of the sudden start amassing a large number of paintings by one particular artist, but the power of Norval Morrisseau’s imagery was such and I had opportunities to acquire art for extremely affordable prices. Then I thought, we are talking about a national treasure who is an extremely important artist, that inspires me and I love the art, and you know I acquired one piece, two pieces, four, five, six, ten then I ended up at the point where I was just acquiring art, as much good Norval Morrisseau art that I was able to afford. Speaking about whether art is a good investment, I believe he is very important, for affordable prices or just for pure enjoyment. I believe he is a good investment because once the situation get sorted out Norval Morrisseau’s art is not going to be affordable for ordinary people. My driving force to collect the art was not art as an investment, as a monetary value. I think it’s very important, Norval Morrisseau art is more important on a spiritual level, for what this art means to me. Regardless of anything Good Art is Always a good investment if you observe it as an investment as vehicle for you investing your money but there are more powerful aspects of art than just pure investment for money, there is pure enjoyment of owning the art that can inspire you and make you feel good about yourself. Art is inspiration and if something inspires you, like good art,…you know Norval Morrisseau’s art was so colourful that many people claim to be cured by his art. It’s scientifically proven that color therapy is very effective and his art is extremely powerful particularly paintings that are more vibrant, he used more vibrant colors starting from the late seventies to the end of his career. Personally I like those subdued earth colors he used at the beginning of his career because those had more spiritual powers. Those images have a different power not necessarily from the colors he used though; it’s the power of the imagery he implemented even with a limited pallet of colors.

Interviewed and presented by Richard Rossetto


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Source: www.saatchionline.com
-----------/click HERE to read an interview with Ugo Matulić a.k.a. Spirit Walker/


>>> Reference posts:
- An Artist Lesson on Saving from Aboriginal Artist Norval Morrisseau,
- Art+Culture's Interview with Blog Master,
- Homage to Norval Morrisseau (Part IV) &
- Thunder Bay's Norval Morrisseau vs. Jack Pollock's Norval Morrisseau (Part IX).

* The painting in this posting: "Water Demigod", 36"x60", © 1983 Norval Morrisseau /Ugo Matulić a.k.a. Spirit Walker's Private Collection /

Norval Morrisseau Blog's 8th Year Anniversary

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"The spirit comes through you. It is very creative force, you see. You could be a singer, you could be a writer, you could be a painter, you could be anything if you allow that spirit to flow." ~ Norval Morrisseau
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Norval Morrisseau/Copper Thunderbird (1931-2007)

~ Illustration by Spirit Walker ~


Hi to all,

I appreciate all of you visiting the NORVAL MORRISSEAU BLOG. It is proving to be an exciting success as I have always anticipated it would be. The subject is dynamic and evolving to say the least. I wish to thank all the contributors for encouraging me to continue with this monumental project which is dedicated entirely to protecting the integrity of Norval Morrisseau's art and the preservation of his artistic legacy.

I am using this opportunity to express a sadness and special thank you to my very good friend Michael Moniz of Brampton, Ontario who departed to the spirit world on April 13, 2013. I will sorely miss our friendship and his relentless and unwavering dedication and assistance that he has provided me since this blog's inception on November 12th, 2007.

Allow me again to introduce myself to those who don't know me.

I was born in Split, Croatia. As a child I saw, and continue to see, the Indians of North America as members of an outstanding race. My favourite childhood memory was the time when 'Winnetou' movies were filmed in Croatia (then part of Yugoslavia). As a memento from that time were countless memories and a photograph with my brother and I in front of Indian totem pole in my hometown of Omiš, Croatia after the filming of one of the 'Winnetou' movies based on novels by the best-selling German author of all time - Karl May.

When I emigrated to Canada my aim was to become a true Canadian and contribute to the advancement of this outstanding country. I also wanted to advance the cause of the First Nations Citizens. The best way I could do this appeared through advancing the cause of native art. Researching the background of Norval Morrisseau and other native artists and their lives has shown the adversity these artists had to overcome to become recognized. Some wonderful people emerged through this research, as did the hardships the art goddess imposed on many of these talented artists.

The subject of my passion is Norval Morrisseau's art. He was one of the very few artists who started a completely new art movement: the Woodland/Anishnaabe School of Art, and has been dubbed the Father of Canadian Aboriginal Art. My extensive knowledge and research along with my personal collection which I have amassed over the years are what I draw my knowledge base from. It seems like almost every day I find a new and fantastical correlation within this man's work. It is never ending. The scope and depth of Morrisseau's visions throughout his lifetime have left an impact on my soul that I cannot describe in words. "Perhaps I should paint as Morrisseau did to express feelings otherwise would not be explicable within my vocabulary?" His Art Work is my passion...
 

... The artistic genius of Norval Morrisseau was best described by Jack Pollock (1930-1992) who wrote: "...Norval, with his incredible ability with the formal problems of art (colour-design-space) and his commitment to the world of his people, the great Ojibway, give one the sense of power that only genius provides... It is sufficient to say that in the history of Canadian Painting, few have, and will remain giants. Norval shall."

Thank you for your continuing support.


Ugo Matulić a.k.a. Spirit Walker
/spiritwalker2008@gmail.com/

> For the purposes of this blog I would like to be referred to as Spirit Walker. Miigwetch!


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* The illustration of this posting is constisted of: The photograph of Norval Morrisseau taken at the opening of his first art exhibition at Pollock Gallery in Toronto, 1962; The background image taken from the illustration of the book "Crooked River" by Shelley Pearsall /ISBN: 0-375-82389-1/. The "Copper Thunderbird" Syllabics signature of Norval Morrisseau extracted from an original painting: "Syllabics": 53"x112", © 1980 Norval Morrisseau /Private Collection/