Thursday, January 23, 2020

Twenty years of collecting and researching Norval Morrisseau art

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"My art speaks and will continue to speak, transcending barriers of nationality, language and other forces that may be divisive, fortifying the greatness of the spirit that has always been the foundation of the Ojibwa people."

Norval Morrisseau





























"Untitled" /In Honour to Ojibwa Indian Motherhood/,
© 1977 Norval Morrisseau /Click on image to Enlarge/
~ the first Blog Master's Norval Morrisseau Acquisition 


Blog Master speaks...

It has been 20 years TODAY since I acquired my first Morrisseau painting on Janyary 23, 2000. I would like to take advantage of this occasion to welcome the newcomers to this internet platform and thank all regular visitors for continuing support.

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Hi to all,

I appreciate all of you visiting the NORVAL MORRISSEAU BLOG. It is proving to be an exciting success as I have always anticipated it would be. The subject is dynamic and evolving to say the least. I wish to thank all the contributors for encouraging me to continue with this monumental project which is dedicated entirely to protecting the integrity of Norval Morrisseau's art and the preservation of his artistic legacy.

I am using this opportunity to express a special thank you to my very good friend, the late Michael Moniz who passed away on April 13th, 2013, for his relentless and unwavering dedication. Without his assistance this platform would not have been possible.

The main purpose of the NORVAL MORRISSEAU BLOG is to share information with anyone interested in the Woodland/Anishnaabe School of Art that Norval Morrisseau and other early aboriginal artists started in the late 1950's. From this start that is linked to the cliff paintings seen along the canoe routes of antiquity, and others yet to be found in other sparsely settled areas of North and South America, Canada and the World has become aware of the artistic genius of Our aboriginal culture.

This artistic genius doesn't stop at visual art alone but extends to the written and performing arts that are also being recognized. I am proud to be in the vanguard of the enlightened and non-commercially oriented people that want to extend their knowledge base to any other interested groups or individuals.

NORVAL MORRISSEAU BLOG isn't a sales, buying or authentication platform but will exhibit any to aid in the education of the blog readers that are growing in number.

Allow me again to introduce myself to those who don't know me.

I was born in Split, Croatia. As a child I saw, and continue to see, the Indians of North America as members of an outstanding race. My favourite childhood memory was the time when 'Winnetou' movies were filmed in Croatia (then part of Yugoslavia). As a memento from that time were countless memories and a photograph with my brother and I in front of Indian totem pole in my hometown of Omiš, Croatia after the filming of one of the 'Winnetou' movies based on novels by the best-selling German author of all time - Karl May.

My arrival in North America (24 years ago) provided the greatest discovery - NORTH AMERICAN NATIVE SPIRITUALITY.

When I emigrated to Canada my aim was to become a true Canadian and contribute to the advancement of this outstanding country. I also wanted to advance the cause of the First Nations Citizens. The best way I could do this appeared through advancing the cause of native art. Researching the background of Norval Morrisseau and other native artists and their lives has shown the adversity these artists had to overcome to become recognized. Some wonderful people emerged through this research, as did the hardships the art goddess imposed on many of these talented artists.

The subject of my passion is Norval Morrisseau's art. He was one of the very few artists who started a completely new art movement: the Woodland/Anishnaabe School of Art, and has been dubbed the Father of Canadian Aboriginal Art. My extensive knowledge and research along with my personal collection which I have amassed over the years are what I draw my knowledge base from. I have been fortunate to acquire a collection which consists of pieces of genuine Norval Morrisseau art that span all of his career from 1952 to 2002.

It seems like almost every day I find a new and fantastical correlation within this man's work. It is never ending. The scope and depth of Morrisseau's visions throughout his lifetime have left an impact on my soul that I cannot describe in words. "Perhaps I should paint as Morrisseau did to express feelings otherwise would not be explicable within my vocabulary?" His Art Work is my passion...

... The artistic genius of Norval Morrisseau was best described by Jack Pollock (1930-1992) who wrote: "...Norval, with his incredible ability with the formal problems of art (colour-design-space) and his commitment to the world of his people, the great Ojibway, give one the sense of power that only genius provides... It is sufficient to say that in the history of Canadian Painting, few have, and will remain giants. Norval shall."

Thank you for your continuing support.


INVITATION TO ALL READERS:

There are many of you who possess important valuable information such as paintings, photographs and other printed/written materials which will greatly assist our common goal. I urge you to provide this information to me for public record. Norval Morrisseau has become one of Canada's greatest all time artists and is recognized for his importance Worldwide...

... All the parties mentioned in posts presented on this platform are free to comment on this blog's findings under condition that they present their statements and opinions which are backed up with documentation to support these statements and these opinions.

ONLY statements and opinions which are supported with corresponding documentation will be published on this platform for public record and possible discussion.

Also, this invitation extends not just to the individuals and organizations mentioned on this platform but to all Norval Morrisseau's admirers, researchers, investigators, news reporters and art collectors as long as they verifiably disclose their identity...

... Your assistance is needed now! Your actions will greatly benefit your art as an investment and safeguard Norval Morrisseau's Legacy.

Thank you/Miigwetch,

Ugo Matulić a.k.a. Spirit Walker
/spiritwalker2008@gmail.com/

> For the purposes of this blog I would like to be referred to as Spirit Walker. Miigwetch!




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* The painting in this post: "Untitled" /In Honour to Ojibwa Indian Motherhood/, 31"x26", © 1977 Norval Morrisseau; PROVENANCE: Private Collection of Ugo Matulić a.k.a Spirit Walker; acquired on January 23, 2000 from an art dealer Mr. Anthony Martinenko (Winnipeg, Manitoba) and it was sourced from the Private Collection of Mr. Rolf Schneiders (Thunder Bay, Ontario).

Monday, December 23, 2019

Ninth Anniversary of Kinsman Robinson Galleries filing the SLAPP suit against blogger Ugo Matulic /December 23rd, 2010 - December 23rd, 2019/


-Kinsman Robinson Galleries vs. Ugo Matulic /CV-10-417123/

"LOSING IN CANADA'S COURT SYSTEM?... NO WORRIES, MAKE A DOCUMENTARY!

FILM REVIEW COMING SOON!
Jamie Kastner's “THERE ARE NO FAKES” 'documentary'

 "More and more individuals – and companies – are augmenting, even bypassing entirely, traditional legal process hoping to get a more favorable hearing in public." ~ Bruce Schneier2013




Ugo Matulic in front of Kinsman Robinson Galleries, February 2013































> On December 23rd, 2010 Kinsman Robinson Galleries launched $1,000,000 SLAPP suit against me intended to interfere with my right to freedom of expression (see BELOW for my Statement of Defence).

Plaintiffs signed the Full and Final Release on May 16th, 2013 dropping all charges against me as soon as the judgement by Judge Paul J. Martial in Hatfield vs. Artworld of Sherway was announced... contrary to what was stated for a reason on Kinsman Robinson Galleries' blog: "Our decision to agree to this settlement was made in order to end the ongoing distraction and cost of a complex litigation process." (click HERE or HERE). 

This means that I would be totally free to write as before, about Donald Robinson, Paul Robinson, John MacGregor Newman, and Kinsman Robinson Galleries, as their activities relate to the Hoax of the so-called “fakes” they allege.


The far reaching implications if Kinsman Robinson Galleries had silenced my voice would have been felt for decades.

This court case Kinsman Robinson Galleries vs. Ugo Matulic, together with Hatfield vs. Artworld of Sherway, enhanced the value of not only Norval Morrisseau's but the future of all First Nations art as well. 

The Plaintiffs (Kinsman Robinson Galleries, Donald Robinson and Paul Robinson) demanded from the court the following:

"(d) an order requiring the Defendant to publish a clear and unreserved retraction on the Blog, as defined below, in respect of the Defamatory Words in a fashion that is at least as prominent as the Defamatory Words that appeard on the Blog;"

"(e) an order the Defendant to delete or destroy all electronic and physical copies of the articles containing the Defamatory Words;"

"(f) an order requiring the Defendant to provide the Plaintiffs with the identity of any person or corporation that hosts, publishes, republishes or posts links to the Defamatory Words, including the identity of the Defendant's internet service provider ("ISP");"

"(g) an order requiring the Defendant to send written requests to any person or corporation that hosts, publishes, republishes or posts links to the Defamatory Words, including Defendant's ISP;"

/Source: KINSMAN ROBINSON GALLERIES, DONALD ROBINSON and PAUL ROBINSON vs. UGO MATULIC (CV-10-417123) "Statement of Claim"; Pages: 10 & 11 - PDF/

BLOG MASTER'S COMMENT: I very successfully succeeded in defending this frivolous SLAPP suit and I will continue pursuing our mission of seeking justice for Norval Morrisseau and his art, which is a vital aspect of Canada’s heritage.

"I was in the process of submitting a long list of documents they would be required to produce that they have hidden from public scrutiny for the past 13 years. And they knew that is what they would have to reveal. Also financial documents, which actually show their profits went up from the Hoax, and not down from my revelations."

For background information on this SLAPP suit by Kinsman Robinson Galleries and reasons behind it click HERE.



Anti-SLAPP law passed – Protection of Public Participation Act, 2015

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"On the other hand, there are those dealers - including Joseph McLeod and collectors like Ugo Matulic and Joseph Otavnik - who believe that the issue of fakes is really a non-issue, a trumped-up conspiracy by Kinsman Robinson and Gabe Vadas to corner the market."

Armand Garnet Ruffo (NORVAL MORRISSEAU 'Man Changing into Thunderbird, 2014; Page 290)

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The Norval Morrisseau Heritage Society

"In 2005, two years before he died of Parkinson-related disease, the artist launched the Norval Morrisseau Heritage Society (NMHS) to compile a catalogue raisonné of his oeuvre. The Art Dealers Association of Canada backed the organization, acknowledging it as “the sole authority for the authentication of works by Norval Morrisseau” in 2007. But NMHS has been bitterly contested by others, including Morrisseau collector Ugo Matulić (a.k.a. Spirit Walker). He says the artist was far too affected by dementia at the time to be able to set up such a body."

Coline Milliard,

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>>> The Norval Morrisseau Blog is an educational initiative dedicated to the promotion of one of Canada’s most renowned Aboriginal artists and creation of a digital archive to honour the legacy of his life’s work.

We have published more than 2,600 posts, thousands of pictures, hundreds of documents (e.g. accredited professional Forensic Document Examiner's reports), related to the art of Norval Morrisseau, so that people around the world who regularly view our blog - museum curators, archivists, fine art collectors, academics, educators, and admirers of fine art - can have a better understanding and appreciation of the long career and singular achievements of this landmark Canadian artist, who was hailed as a “genius” at the very first exhibition he ever held at The Pollock Gallery in September 1962.

Norval was also the most prolific artist in world history, having produced well over 23,000 original artworks. We dedicate this blog to the loyal Norval Morrisseau collectors around the world who represent a legion of collectors outnumbering more than any other leading artist. We are thankful for the tremendous support our educational blog has garnered from countless Morrisseau fans around the world.

We will not be deterred from our single-minded effort to continue to publish the information of the artistic record of this great painter, and we will continue pursuing our mission of seeking justice for Norval Morrisseau and his art, which is a vital aspect of Canada’s heritage.

Thank you/Hvala/Miigwetch,

Ugo Matulić
ugo.matulic@norvalmorrisseau.com

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>> IMPORTANT LEGAL UPDATE <<
Protection of Public Participation Act, 2015

"The Ontario law, enacted on November 3rd, 2015, creates a fast-track review that allows judges to identify and deal with SLAPPs expeditiously. It creates a procedure that attempts to balance a plaintiff’s right to bring a legal action with a defendant’s right to free expression.


A plaintiff must convince a court that the case has substantial merit and that the alleged harm caused by a defendant is, in the words of the act, “sufficiently serious that the public interest in permitting the proceeding to continue outweighs the public interest in protecting that expression.”

~ Julius Melnitzer , December 2nd, 2015


Source: Corporate litigators get ready for Ontario’s new anti-SLAPP legislation /Financial Post/


"Canadian attorney Derek J. Bell thinks the PPPA (The Protection of Public Participation Act) could have some “real teeth.” If a defendant in a potential SLAPP suit invokes the PPPA, the court must hear the defendant’s motion within 60 days, during which time all other activity in the case is suspended. If the court rules that the case is a SLAPP suit, the defendants could get more than court costs on the motion, up to “full indemnity” on the entire SLAPP action itself, and potentially even require the initiator of the SLAPP suit to pay damages."
~ Rick Cohen , November 11th, 2015

Source: Canada Restricting SLAPP Suits but First in Personal Freedom: What’s the Connection? /NPQ/


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Filed in The Superior Court of Justice – Ontario on September 22nd, 2011


SLAPP SUIT WON BY THE DEFENDANT !
>>> To learn more about this lawsuit and reasons behind it, I strongly recommend reading this STATEMENT OF DEFENCE And click HERE for the Blog Master's Public Address... 


Court File No. CV-10-417123

ONTARIO SUPERIOR COURT OF JUSTICE

BETWEEN:

TELE-CONNECT PUBLICATIONS LTD. C.O.B KINSMAN ROBINSON GALLERIES, DONALD ROBINSON AND PAUL ROBINSON

Plaintiff

and

UGO MATULIC

Defendant


STATEMENT OF DEFENCE

1.   Except as hereinafter specifically admitted, the Defendant, Ugo Matulic ("Matulic"), deny the allegations contained in paragraphs 5 to 16 of the Amended Statement of Claim ("ASOC") and denies that the Plaintiff is entitled to any of the relief claimed in paragraph 1 therein.

BACKGROUND

2.   Ugo Matulic ("Matulic") is the owner and author the Norval Morrisseau Blog located at http://norvalmorrisseau.blogspot.com/. He is also the owner of many pieces of original Norval Morrisseau artwork, acquired from reliable sources and sources with direct connections to the artist, that Matulic has collected over a decade. As stated in the banner on the Norval Morrisseau Blog:

"This Blog is posted in honour of the Spirit of Norval Morrisseau a.k.a. Copper Thunderbird - Grand Shaman of the Ojibway. Also, this is the first and the only Blog incepted during Norval Morrisseau's lifetime. It is dedicated entirely to the preservation of his artistic legacy along with the living presence of the Ojibway peoples on the North American continent."

3.   Since Matulic created his blog, the plaintiffs have been provoking and disparaging a very large number of pieces of Norval Morrisseau artwork not sold through or by the Kinsman Robinson Gallery, in a concerted effort to corner the public market in Norval Morrisseau's artwork owned by Matulic and others. The plaintiffs' smear campaign is directed in devaluing and stigmatizing the authentic artwork of the late Norval Morrisseau who passed away in 2007.

4.   The Plaintiffs have actively and deliberately taken action to corner the market in paintings by Norval Morrisseau. They are using their own position, as a former Morrisseau dealer, to inflate the value of their own holdings of Norval Morrisseau's paintings, and deflate the value of paintings held by Matulic, other Morrisseau collectors and art galleries all across Canada, by falsely claiming that many genuine Morrisseaus are forgeries, especially those signed on the back by the artist in black paint using drybrush (DB) technique. However several of these paintings have been positively confirmed for the signature authenticity by three independent forensic document examiners from Ottawa, Toronto and Calgary.

5.   The Plaintiffs along with other individuals have attacked Matulic's personal and professional reputation in an attempt to devalue paintings from Matulic's personal collection calling them forgeries and abominations.

6.   The Plaintiff, Kinsman Robinson Galleries, previously owned and used the domain name www.norvalmorrisseau.com. However, they did not pay the necessary domain name registration renewal fees and it was placed on the open market and Matulic purchased the domain name. Since then, Matulic has used the domain name and blog to honour the late great Canadian painter Norval Morrisseau. The plaintiffs have on several occasions tried to intimidate him and to portray him in negative light, thereby allowing other individuals to launch a number of character defamation attacks on him on the internet and other forms of media.

7.   All of the blog postings written by Matulic contain statements that are factually accurate or contain statements of opinion based upon accurate facts.

THE ACTION IS STATUTE BARRED

8.   The Plaintiffs failed to give written notice to Matulic of the alleged defamation within six weeks of the Postings coming to the Plaintiffs attention contrary to the requirements of s. 5 (1) of the Libel and Slander Act (the "Act") R.S.O. 1990, c. L.12. Furthermore, the Plaintiffs failed to commence this action within three months of the postings coming to their attention contrary to the requirements of s. 6 of the Act. This action is therefore statute-barred.

9.   In the alternative, Matulic pleads that the alleged defamatory statements, which are not admitted to be defamatory, but specifically are denied as such, were published on dates ranging from 2008 through to the present. However, the plaintiffs only commenced this action 3 years following the initial defamatory post as alleged in paragraph 5 of the ASOC. By a Response to a Demand for Particulars dated August 31, 2011, the Plaintiffs admitted that they each became aware of Matulic's blog posts within a month of the publication on the internet. Accordingly, Matulic pleads that the plaintiffs' action is time-barred and pleads and relies upon section 4 of the Limitations Act, 2002, S.O. 2002, c. 24, Schedule B.

10.   Matulic commenced his Blog almost four years ago following false statements made publicly by the Plaintiffs and other individuals who were closely associated with the Plaintiffs regarding the authenticity of many Norval Morrisseau's paintings which these individuals called 'questionable', 'fakes', 'forgeries', 'abominations' and other defamatory attributes. Matulic felt the need to create a platform that would speak for Norval Morrisseau when this privilege to speak for himself was put in the hands of others who were only interested in their personal financial gain all the while putting the Legacy of Norval Morrisseau aside.

11.   With respect to paragraph 9 of the ASOC, Matulic denies the allegations therein and put the Plaintiffs to the strict proof thereof. Matulic was only served with two Notices of Libel: the first being the Notice of Libel dated December 23, 2010 and the second being the Notice of Libel dated January 6, 2011. The Notice of Libel dated November 19, 2010 was received via e-mail by Plaintiffs' Lawyer on March 11, 2011 (the first time Matulic had received or seen the November 19, 2010 Notice Of Libel. The March 11,2011 letter from counsel for KRG stated the following:

"We have attempted, unsuccessfully, to serve you personally with our client's Statement of Claim which was recently issued in the Ontario Superior Court of Justice. We have also sent you, over the past few months, various Notices of Libel, some of which have been returned to us. It appears as though you have received some, but not all, of our correspondence despite each of these documents being sent to the same address."

QUALIFIED PRIVILEGE

12.   Further, and in the alternative, the postings by Matulic were published in good faith and without malice on an occasion of qualified privilege, particulars of which occasion are as follows:

       (a) Matulic's Blog constituted a forum for fellow art enthusiasts, Norval Morrisseau supporters and others interested in his artwork to communicate with one another on those subjects.

       (b) Matulic had an interest or duty- legal, social or moral - to communicate the postings complained of in the ASOC to other persons accessing Matulic's Blog.

       (c) Other persons accessing Matulic's Blog had a corresponding duty or interest to receive the communications in the postings.

       (d) Matulic's Blog expressly invited comments from the Plaintiffs and other persons accessing his Blog.

FAIR COMMENT

13.   Further and in the alternative, the words complained of in the postings constitute fair comment by Matulic, on matters of public interest, based on the substantially true facts as set out this Statement of Defence ("SOD"). Matulic expressed those opinions in good faith and without malice.

PUBLIC INTEREST RESPONSIBLE COMMUNICATION

14.   Further and in the alternative, the postings constituted communications on matters of public interest and Matulic was diligent in trying to verify the statements made in the postings have regard to all relevant circumstances.

CHARTER IMMUNITY

15.   Freedom of expression is guaranteed by s. 2 (b) of the Canadian Charter of Rights and Freedoms (the "Charter"). It is essential to the proper functioning of the institutions of a democratic form of governance, including the institutions of the courts, the judiciary and an independent professional bar. The law should encourage and permit freewheeling debate in good faith on matters of public interest. The law should not be used to thwart such freewheeling debate by an overtly solicitous attempt to protect a private corporation such as one owned by the plaintiffs. The Matulic postings at issue in this action, demonstrate the vital importance of such a free-wheeling debate. In the particular circumstances of this case, the postings should benefit from constitutional immunity.

16.   The Plaintiffs have been associated with individuals who have been devaluating paintings from Matulic's personal collection calling them forgeries and abominations.

17.   The Plaintiffs were also involved in selling assisted artwork(s) without disclosing full history of the authorship of the said artwork(s) as to be fully painted by the artist.

18.   There are more than 40 galleries and various auction houses and museums across North America which have exhibited authentic Norval Morrisseau's artwork which the Plaintiffs consider fakes and they are in support of individuals who collectively deflated the value of paintings held by Matulic and other Norval Morrisseau collectors all across Canada, by falsely claiming that many genuine Norval Morrisseau's are fakes. [1]

[1] See http://norvalmorrisseau.blogspot.com/2011/07/morrisseaus-artwork-in-auction-houses.html

19.   The Plaintiffs' concerted campaign of online terror in the form of libel chill is a transparent attempt to monopolize the privileged sale of the Norval Morrisseau's artwork and to silence any of their critics.

20.   It is not Matulic's fault that his opinion of the Plaintiffs' actions has brought unwanted publicity, public hatred, ridicule and contempt by supporters of Norval Morrisseau. The Plaintiffs' actions have significantly devalued the art of great artist Norval Morrisseau.

21.   Contrary to the Plaintiffs' assertions, Mr. Joseph McLeod of Maslak McLeod Gallery, the other most prominent expert in Norval Morrisseau's art considers the paintings in question to be authentic.

NO DAMAGES

22.   Matulic denies that the Plaintiffs have suffered damages as alleged in the ASOC paragraphs 14 and 15 or at all as a result of the postings and puts the Plaintiffs to the strict proof of their allegations concerning damages.

DAMAGES IF ANY DUE TO ACTS AND OMISSIONS OF PLAINTIFFS

23.   If the Plaintiffs suffered any damages, which is not admitted but expressly denied, they are attributed to the acts and omissions of the Plaintiffs which failed to notify Matulic that is considered the postings to be defamatory. In this regard, Matulic also relies on the particulars of the Plaintiffs conduct provided in this SOD and the following additional facts:

       (a) The Plaintiffs did not at any time make any attempt to contact Matulic through the private messaging system, which was available at all times through his blog at http://norvalmorrisseau.blogspot.com/,
or in any other reasonable manner before the commencement of this litigation to notify Matulic of the Plaintiffs' complaint about the postings.

       (b) The Plaintiffs were aware of Matulic's Blog since its inception in November 2007.

NO BASIS FOR AGGRAVATED OR PUNITIVE DAMAGES

24.   Matulic specifically denies the allegation in the ASOC paragraph 5 that he was actuated by bad faith in "publishing/broadcasting" the words complained of in the ASOC subparagraph 5. Matulic honestly believed his words to be true and posted them in good faith and without malice and without gross negligence.

25.   The ASOC does not allege any material facts which would justify this Court in awarding either aggravated or punitive damages. In any event, the circumstances of this case do not warrant an award of either aggravated or punitive damages against Matulic.

26.   Further, and in the alternative, as a matter of law, a corporate plaintiff is not entitled to recover aggravated damages.

PLAINTIFFS FAILED TO MITIGATE DAMAGES

27.   The Plaintiffs made no attempt to notify Matulic in a timely way that the postings were considered by the Plaintiffs to be defamatory. Nor did the Plaintiffs ask Matulic to remove or modify the postings. No request was made for an apology.

THE ACTION AGAINST MATULIC IS AN ABUSE OF PROCESS

28.   Matulic therefore submits that this action constitutes an abuse of process and has been commenced with the vexatious attempt to deter Matulic from expressing his opinions, and as such, this is a strategic lawsuit against public participation intended to interfere with Matulic's right to freedom of expression.

29.   Matulic pleads and relies on sections 5,6,10,23 and 24 of the Libel and Slander Act and sections 1 and 2 (b) of the Charter.

RELIEF SOUGHT

30.   The Defendant, Ugo Matulic, asks that this action be dismissed with costs on a substantial-indemnity basis.

September 21,2011


STEINBERG MORTON HOPE & ISRAEL LLP
Barristers & Solicitors
5255 Yonge Street, Suite 1100
Toronto ON M2N6P4

Antonin I. Pribetic (34843S)

Tel: 416-225-2777416-225-2777
Fax: 416-225-7112

Lawyers for the Defendant


Filed in The Superior Court of Justice – Ontario on September 22nd, 2011
SLAPP SUIT WON BY THE DEFENDANT !
>>> To learn more about this lawsuit and reasons behind it, I strongly recommend reading the STATEMENT OF DEFENCE presented ABOVE and click HERE for the Blog Master's Public Address... 
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ADDITIONAL IMPORTANT NOTE:


After eighteen years since National Post article by Murray Whyte "Morrisseau fakes alleged" /National PostMay 18th, 2001/, after three years of investigation by Royal Canadian Mounted Police and Thunder Bay Police Service and after seven court cases over the period of eleven years (see reference posts listed below) nobody has ever been successful in pointing out one case where it was proven that someone made, sold, distributed or even marketed one "FAKE" Norval Morrisseau painting.  


 >>> Reference posts:

 ~ In all of these court cases Forensic science have been used proving that paintings in question were signed by Norval Morrisseau and nobody else (click HERE).

* (**) - Both,
Donald Robinson of Kinsman Robinson Galleries and his associate Ritchie Sinclair were discredited in this pivotal court case relevant to authenticity of Norval Morrisseau artworks (*) & excluded from testimonies (**)... click HERE & HERE.
























>>> Reference posts:- Chill & Kill /Courtesy of http://themorrisseauhoaxexposedblog.com/,

- Norval Morrisseau Conspiracy & Art Market Competition,
- Ugo Matulic wins $1,000,000 SLAPP suit against Kinsman Robinson Galleries (Part I), THREAT OF LAWSUITS TRIGGERS BELATED CTV VIDEO & "Famed tenor drops suit alleging art dealer sold him fake Morrisseau paintings" by James Adams.
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