Thursday, January 31, 2013

>>> Honouring of Norval Morrisseau by the Government of Canada!?



Norval Morrisseau in front of "ANDROGYNY" (12'x20', 1983) at the National Gallery of Canada /© 2006 Bruno Schlumberger, CanWest News Service/
~ This painting had been donated by Norval Morrisseau to the Canadian people on April 15, 1983.

Created by world-renowned Canadian Aboriginal painter Norval Morrisseau, the Androgyny was installed in the Office of the Secretary to the Governor General (OSGG) in the Rideau Hall (Ottawa) that replaced Charlottetown Revisited, a work created by the Jean Paul Lemieux.

The loan of Androgyny to Rideau Hall was made possible thanks to a partnership with the Department of Indian and Northern Affairs Canada, and the Indian and Inuit Art Centre. The piece had been on display from September 18th, 2008 until June 20th, 2012 and was seen by hundreds of thousand of the Rideau Hall's guests and visitors...

... In my opinion the Government of Canada could have honoured Norval Morrisseau in a much better way if they had investigated themselves through legal authorities at their disposal these controversial and other issues that are damaging Norval Morrisseau's art market and consequently his legacy. The legacy and great body of artwork by the late Norval Morrisseau is a 'National Treasure' that will honour the commitment made by the Canadian Government in regards to our unique and diverse cultural heritage to be enjoyed by future generations of Canadians.

Ugo Matulić a.k.a. Spirit Walker

* The photograph in this post was taken in Ottawa in February, 2006 at the opening of the "Norval Morrisseau - Shaman Artist". The first solo exhibition featuring a First Nations artist in 126-year history of the National Gallery of Canada.

1 comment:

Susan Murar/"Morrisseau Sculptor" said...

Dear Spirit Walker: I have always hoped to see a photograph of Morrisseau in the process of creating the magnificent painting, "Androgyny", on site, in his studio- did he have scaffolding, did he work on ladders, or was the painting in process done on a flat surface, who assisted him, if anyone? Are there any photographs extant?