Thursday, December 19, 2019

Eight Anniversary of the First of the Two Forensic Reports "ever to authenticate Norval Morrisseau Painting BEYOND 'DNA' CERTAINTY"



Kevin Hearn Vs. Joseph B. McLeod and Maslak McLeod Gallery Inc.
/Court File No. CV-12-455650/

"SPIRIT ENERGY OF MOTHER EARTH HAS NOT BEEN PROVED TO BE A FORGED OR FAKE MORRISEAU. FROM THE LAW'S POINT OF VIEW, IT IS THEREFORE A REAL NORVAL MORRISSEAU PAINTING."-

~ Justice Edward M. Morgan, May 24, 2018











































"Shaman Envelopes Soma" 52"x42",
© 1976 Norval Morrisseau /Click on image to Enlarge/
~ Click HERE to view the front of this painting and/or click HERE to view the inscription on the reverse side of canvas.

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The above genuine Norval Morrisseau paintings was verbally authenticated by Mr. Donald Robinson of Kinsman Robinson Galleries who was the underbidder on this genuine Norval Morrisseau artwork when it was purchased at auction by Goldi Productions Ltd. on January 26th, 2000. For more information click HERE.

Click HERE for Forensic Report dated December 3rd, 2013 by Dr. Atul K. Singla, proving with DNA certainty that this inscription on the canvas VERSO is a true signature of Norval Morrisseau (see above).


Additional notes: Two years earlier, on December 19th, 2011 forensics and handwriting expert Mr. Kenneth J. Davies of 'Hawkeye Studios (Grapho-Lab® Services)' (Calgary, Alberta) also forensically certified that “Shaman Envelopes Soma, 1976” was an authentic work signed by the hand of Norval Morrisseau and no one else. Click HERE to download this report.

Both of these reports by two independent internationally recognized Forensic Document Examiners and Handwriting Experts (Mr. Kenneth J. Davies & Dr. Atul K. Singla) were prepared for Mr. Ugo Matulic of Calgary, Alberta (Blog Master of the Norval Morrisseau Blog.)

Source (painting): Randy Potter Estate Auction, Pickering, Ontario





"Examining signatures for authenticity is "not that easy."

It requires obtaining a genuine signature from the same time period – "and then it's a long process," comparing them using computer programs and such sophisticated tools as a video spectral comparator.


But if it's a forged signature, almost 100 per cent of the time we can detect the forgery."
*



Dr. Atul K. Singla of Worldwide Forensic Services Inc. (Toronto, Ontario)



* - Quotation of Dr. Singla from article "Handwriting analysis can change lives" ; By Sat., Jan. 19, 2008 "TheStar.com"


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 >>> In a court judgement "Hatfield vs. Artworld of Sherway" /Court File No. SC-09-087264-0000/ Judge Paul J. Martial stated the following about Mr. Joseph McLeod (1928-2017) of Maslak McLeod Gallery:

“He demonstrated a superior depth of knowledge of Morrisseau…” (Judgment by Judge Paul J Martial: March 25th, 2013 - Page 25)


“The testimony of Mr. Joseph McLeod is indicative of his care and the detailed effort to confirm provenance, including the hiring of a forensic expert to examine the signature on the back of the painting indicate that he took his role to provide appraisals seriously. His testimony… demonstrates his depth of knowledge of the painter due to his lengthy association with the artist.”
(Judgment by Judge Paul J Martial: March 25th, 2013 - Page 35)


"Mr. Robinson (of Kinsman Robinson Galleries) was qualified as an expert in the area of valuation and appraisal. His testimony however overlapped into the area of handwriting and included an analysis of syllabic and English handwriting, areas for which he was not qualified.
"He has no formal training as an expert witness in handwriting analysis and his evidence is rejected. (Judgment by Judge Paul J Martial: March 25th, 2013 - Page 37)

"Dr. Singla's forensic evidence is preferred in this regard and his finding that it is highly probable that the painting "Wheel of Life" was painted by Norval Morrisseau was supported by his detailed technical analysis of known signatures of' Norval Morrisseau. (Judgment by Judge Paul J Martial: March 25th, 2013 - Page 37)


"The Court finds that there is overwhelming evidence that Norval Morrisseau signed paintings in black brush paint.” (Judgment by Judge Paul J Martial: March 25th, 2013 - Page 34)

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Note: "The Hatfield case was unique in that it represented the first time a Morrisseau authentication joust had proceeded through a complete trial – it required five hearings spanning about two and a half years and resulting in 750 pages of published evidence – and ended with a judicial ruling." ~ 'The Globe and Mail'

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"In a stunning, and incredibly detailed and thoughtful ruling, Madam Justice Sanderson, totally backed up the landmark ruling of Deputy Judge Paul J Martial in the Hatfield v Child case, and dismissed entirely the Appeal of Jonathan Sommer for Ms. Hatfield. Madam Justice Sanderson supported entirely, the right of Judge Martial to dismiss in their entirety, the expertise, the expert reports, and the testimony of both Sommer’s witnesses, Donald Robinson of Toronto’s Kinsman Robinson Galleries and its outreach worker Ritchie Sinclair."


Source: theMorrisseauHoaxExposedBlog.com

Click HERE to continue reading...


~ As per decision of the SUPREME COURT OF CANADA (December 22, 2009), journalists and other media, including bloggers, will be protected from lawsuits if they diligently try to verify information on matters that are in the public interest (click HERE for more information and/or check NORVAL MORRISSEAU BLOG's DISCLAIMER @ the bottom of this page ). ~ 

2 comments:

Spirit Walker said...

>>>
The following is the statement from THE LAWYER'S DAILY article:
https://www.thelawyersdaily.ca/articles/15050/art-dealer-made-false-representation-on-morrisseau-painting-damages-owed-court-rules

"Fleming and Snider also noted that they didn’t, as a deliberate choice, appeal every potential finding or conclusion of the trial judge.

“The trial judge concluded that he could not conclude whether or not the painting was a fake, and therefore, whether the claim in fraud had been made out. We didn’t appeal that finding specifically because the trial judge gave extensive reasons for that conclusion, but we did identify the fact that in focusing on that issue the trial judge may have neglected to consider, and the Court of Appeal found that he did neglect to consider, whether our client, Kevin Hearn, got what he bargained for. What he was promised, at the time he acquired the painting, was an authentic Norval Morrisseau accompanied by a provenance statement, which demonstrated authenticity,” explained Fleming.

“The trial judge, the Court of Appeal found, didn’t focus on that second aspect, the provenance statement,” added Snider, noting that “the failure to deliver that provenance statement resulted in the Court of Appeal’s conclusion that the gallery was libel.”

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Therefore, the autheniticity of the painting has never been a part of Kevin Hearn's appeal... the painting's provenance was.

After more than eighteen years since National Post article by Murray Whyte "Morrisseau fakes alleged" /National Post, May 18th, 2001/, and three years of investigation by Royal Canadian Mounted Police and Thunder Bay Police Service and after eight court cases over the period of twelve years (this include two failed appeals which were not able to prove paintings' non-authenticity...) nobody has ever been successful in pointing out one case where it was proven that someone made, sold, distributed or even marketed one "fake" Norval Morrisseau painting.

Sincerely,

Ugo Matulic a.k.a. Spirit Walker

P.S. To anonymous commentor: "Please, sign your real name next time! Thank you.

Anonymous said...

https://science.howstuffworks.com/handwriting-analysis2.htm